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	<title>Baconmusic &#187; Under A Dark Sky</title>
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		<title>Uli Jon Roth &#8211; &#8216;Under A Dark Sky&#8217; (SPV Records)</title>
		<link>http://www.baconmusic.co.uk/2008/09/21/reviews/2516/</link>
		<comments>http://www.baconmusic.co.uk/2008/09/21/reviews/2516/#comments</comments>
		<pubDate>Sun, 21 Sep 2008 16:09:11 +0000</pubDate>
		<dc:creator>Adam</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Uli Jon Roth]]></category>
		<category><![CDATA[Under A Dark Sky]]></category>

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		<description><![CDATA[<font size="2"><p><strong><span class="inline left"><img align="left" width="100" src="/files/images/ulijo08.thumbnail.jpg" height="100" class="image thumbnail" /></span>ULI JON ROTH</strong> is often associated with hard rock, with his role as 1970&#39;s guitarist for German metal superstars <strong>SCORPIONS </strong>still regarded as the major coup on his music CV.]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.baconmusic.co.uk/files/2008/12/underadarkskycover34zz1.jpg"><img src="http://www.baconmusic.co.uk/files/2008/12/underadarkskycover34zz1-135x100.jpg" alt="" title="underadarkskycover34zz1" width="135" height="100" class="alignleft size-thumbnail wp-image-3221" /></a></strong>ULI JON ROTH</strong> is often associated with hard rock, with his role as 1970&#39;s guitarist for German metal superstars <strong>SCORPIONS </strong>still regarded as the major coup on his music CV. However, since his <strong>SCORPIONS </strong>days, Roth has forged on with a solo career which has propelled him to legendary status amongst guitar enthusiasts, with his unique neo-classical approach setting him apart from most other &#39;rock&#39; musicians. These days, you&#39;re about as likely to hear his work on Classic FM as on Planet Rock. </p>
<p>&nbsp;</p>
<p><strong>&#39;Under a Dark Sky&#39;</strong> is <strong>ULI JON ROTH&#39;s </strong>first studio material to be released since 2003. After listening to this album from start to finish, I can only imagine that Mr.Roth is well away with the fairies (probably enjoying a glass of mead with <strong>Richie Blackmore</strong>). Some of the lyrics here are best described as bizarre, and I&#39;d love to know what Roth was smoking at the time he wrote some of these words. However, there&#39;s obviously a hell of a lot of work that goes into the music. The word complex is an understatement as the weaving compositions have male vocals (provided by <strong>Mark Boals</strong> of <strong>YNGWIE MALMSTEEN / ROYAL HUNT</strong> fame), female vocals, soprano vocals, the sky choir and the sky orchestra all putting in their two penneth &#8211; alongside of course, the jiggery-pokery (yet not over indulgent) guitar work of <strong>Ulrich Roth </strong>himself. </p>
<p>&nbsp;</p>
<p>I can&#39;t imagine that I&#39;ll ever have the urge to listen to this record again, but that doesn&#39;t exactly mean that it&#39;s a load of rubbish &#8211; in fact, far from it. The album makes for an interesting, if intense listening experience &#8211; and will no doubt appeal first and foremost to guitar enthusiasts who worship the previous work of Roth. Much of the record sounds like a grandiose film score. The likes of <strong>&#39;The Magic Word&#39;</strong> and parts of the 11 minute album highlight <strong>&#39;Land of Dawn&#39;</strong> come somewhere close to standard rock music, where somewhat accessible melodies float above the waves of Roth&#39;s musical ocean. This is certainly not for everyone, but you have to give it to <strong>ULI JON ROTH</strong> &#8211; he doesn&#39;t do things in halves, that is for sure.</p>
<p>&nbsp;</p>
<p><strong>Rating 3.0/5.0</strong></p>
<p><strong>James Allman</strong></p>
<p><strong>  </strong></p>
<p><strong>Release Date: 22 September 2008</strong></p>
<p><strong><span class="inline left"><img width="453" src="/files/images/ulijo08.preview.jpg" height="453" class="image preview" /></span>  </strong></p>
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